Things, you know, and stuff.

It's about time I did a non-themed, what's-happening-in-my-life type, blog entry. Trouble is, every time I think about writing such a thing I start to feel a bit overwhelmed. I'm not even going to try to blog about Christmas. Life is very bitty right now.

Ho hum.

We need to organise our house; after Christmas we have toys for Noemi coming out of our ears and we really need furniture but without a car it's hard for us to get anything decent. Then Monica is having some health troubles; perhaps she's allergic to milk protein. This means tests. We've been quite lucky with the snow so far; let's hope that lasts! It came down for a few days but now the rain's washed pretty much all of it away.

Nice to be getting back into the swing of choir. Yesterday was a bit too much hard work though; lots of things the tenors (including) were having issues getting to grips with and irritated sopranos taking it upon themselves to intervene.

Work is somewhat slow. I'm sure it won't last, so I'm just trying to relax and enjoy it. It means that when translations do come in, there's a good chance of me doing them rather than reviewing them (yuk) and it's let me get back into trying to learn to touch type. I had a long break because my Outlook reminders stopped working and I don't have much of a memory. Also bad for my prayer life. Go Mark! Anyway, I'm still bloody slow at touch typing, but I suppose if I keep on practising I'll get to a point where I can switch at some point.

We had a big meeting at work recently. All our meetings are big because we have them once in a blue moon (every death of a Pope, they say in Italian). Anyway, it went on for ages and I had to interpret, which I'm crap at, for the English-speakers, so it really got me down, but on the plus side they're trying to address some of our more glaring problems and at least talking about dialogue.

I've decided that I'd like to get a Kobo, but we can't afford it. They're in cahoots with Mondadori, a major Italian publisher, which apparently means 30,000 free titles, but there must be a catch. Maybe if I get money for my birthday in May I can think about it then. Our library has joined this thing, which Lauren says you have in England as well, which sounds pretty handy. The most awesomest part of it as far as I'm concerned are the integrated monolingual and bilingual dictionaries and the possibility of reading those documents that you can get for free on the web but would rather gouge out your eyes than read on a monitor, like, in my case, copyright-expired book, encyclicals, political speeches etc.

 Ok, ramble and out.

Related articles

• So what's the point of the bloke waving his arms?
• Translingual slogan hacking

Angelus: Feminine Nouns + Pronouns – ed ella concepì per opera…

@marktsoapm ed ella concepì per opera dello Spirito Santo. #twitterangelus #it
— Caral James (@Caral4Christ) Gennaio 11, 2013

The (Twitter-friendly) text of the Angelus in Italian.
A (hasty) recording of the Angelus in Italian.

ed

ed is a modified form of e, so it just means "and" again. It's called the 'd eufonica'; it's euphonic in that it avoids a cacophonic repetition of the vowel 'e' together with ella.

This can also happen with the preposition a–ad (to) or o–od (or).

ella

This is another case of literary/formal language. I conjugated essere with its subject pronouns last time (here). Now we can expand it a little with some literary forms, which I've put in green.

	essere	(to) be, being
io	sono	I am
tu	sei	you are
lui/egli, lei/ella, Lei	è	he/she/it is (+ you are)
noi	siamo	we are
voi	siete	you are (plural)
loro, essi, esse	sono	they are

Egli and ella are simple enough; they're direct literary equivalents for "he" and "she". The distinction for "they" is to do with gender and agreement, which I discussed here, but without touching on the relevant aspect. essi is the masculine form, and esse the feminine; this is simple enough since it corresponds to the normal endings of nouns, but with plurals it's a bit more complicated. What happens when you're dealing with a mix of masculine and feminine? The answer is simple, if arbitrary, you use the masculine form. In effect, you would only see esse when talking about a group comprising exclusively women. In the following, for example, the prayer is for all the dead, men and women:

splenda ad essi la Luce Perpetua
may-it-shine to them the Light Perpetual

Here we're talking about forms which you wouldn't tend to use every day, but the same rule applies in regular Italian:

sono benedetto – I am blessed (male speaker)
sono benedetta – I am blessed (female speaker)
sono benedetti – they are blessed (men or mixed group)
sono benedetti – they are blessed (women)

opera 

These are the feminine nouns in the Angelus:

singular	plural	English
la grazia	le grazie	the grace(s)
la donna	le donne	the woman/women
la madre	le madri	the mother(s)
la morte	le morti	the death(s)	mortal
la serva	le serve	the female servant(s)
la parola	le parole	the word(s)
la carne	le carni	the flesh, meat	carnal
la promessa	le promesse	the promise(s)
la passione	le passioni	the passion(s)
la croce	le croci	the cross(es)	crucifix
la gloria	le glorie	the glory/glories
la risurrezione	le risurrezioni	the resurrection(s)
la luce	le luci	the light(s)	lucid
la pace	le paci	the peace(s)	pacifist
(la peccatrice)	(le peccatrici)	(the female sinner(s))	im-peccable
l'opera	le opere	the work, action, means	operation
l'ora	le ore	the hour(s)
l'incarnazione	le incarnazioni	the incarnation(s)

You can see what I wrote on nouns, both masculine and feminine, last time here. Take a look before carrying on. Here there are more things to take into account.

Again, there are feminine nouns that begin with a vowel: opera, ora and incarnazione. As with the masculine nouns, the normal article "la" becomes an "l" with apostrophe. The plural, however, remains "le" in all cases.

With many words, there is a masculine and a feminine version. This can be quite simple, as in the case of "servant" – il servo (male) and la serva (female) – or slightly more complicated. I added peccatrice, which isn't in the Angelus, by way of illustration. You may remember that I listed il peccatore as "sinner" among the masculine nouns.

prega per noi peccatori
pray for us sinners

Here, as I was saying above, the masculine form is used to cover both sexes, but if, in a fit of philogyny, I were to pray for women only, it would have been peccatrici.

The -trix suffix isn't widely used in English, but it reflects the pair of -tore and -trice in Italian:

executor - executrix
genitor - genitrix

Related articles

• Maschile/Femminile
• Should it be everyone for themself where grammar's concerned?

Bible Tweets: 2nd Sunday of Ordinary Time

Ness1 ti chiamerà più Abbandonata, ma sarai chiamata Mia Gioia. Come gioisce lo sposo per la sposa, così il tuo Dio gioirà per te. Is 62,4–5

Cantate al Signore, uomini di tt la terra. Annunciate di giorno in giorno la sua salvezza, in mezzo alle genti la sua gloria Sal 96(95),1–3

Gioiscano i cieli, esulti la terra, risuoni il mare; sia in festa la campagna e gli alberi davanti al Signore che viene. Sal 96(95),11–13

1 solo è lo Spirito e 1 solo è Dio, che opera tutto in tutti. A ognuno è data 1 manifestazione dello Spirito × il bene comune. 1Cor 12,4.6–7

La madre di Gesù gli disse: "Non hanno vino": l'acqua che fece diventare vino fu l'inizio dei segni compiuti da Gesù. Gv 2,3.9.11

Angelus: Regular Verbs + Passato Remoto – L'angelo del Signore portò…

● L'angelo del Signore portò l'annuncio a Maria, #twitterangelus #it
— Mark Dobson (@MarkTSoaPM) Gennaio 8, 2013

ed ella concepì per opera dello Spirito Santo. #twitterangelus #it
— Mark Dobson (@MarkTSoaPM) Gennaio 8, 2013

The (Twitter-friendly) text of the Angelus in Italian.
A (hasty) recording of the Angelus in Italian.

These two lines feature some regular verbs. I illustrated regular verbs here, and you should read this about the polite form.

Here's a recap using verbs from the Angelus instead:

-are	-ere	-ire
portare	infondere	concepire
bring, take	infuse, instil	conceive	bringing, infusing, conceiving
present indicative
porto	infondo	concepisco	I bring, infuse, conceive
porti	infondi	concepisci	you bring, infuse, conceive
porta	infonde	concepisce	he/she/it brings, infuses, conceives (you bring etc.)
portiamo	infondiamo	concepiamo	we bring, infuse, conceive
portate	infondete	concepite	you (plural) bring, infuse, conceive
portano	infondono	concepiscono	they bring, infuse, conceive
passato remoto (remote past, simple past)
portò	infuse	concepì	he brought, infused, conceived

In fact, not all these verbs are perfectly regular, but they are regular in the present indicative – that will do for us.

I’ve put the regular endings in bold. In fact, there are two regular forms for -ire verbs. Last time I put the version which was more similar to the -are and -ire forms, to make it simpler, but in fact, these endings are more common.

Now, I'm going through the Angelus in order, so I'm touching on a few things in an order that you wouldn't usually adopt in learning. The Padre Nostro doesn't use any kind of past tense. The Angelus, on the other hand uses a form of the past tense that you're unlikely to cover in a beginners' course. Shouldn't I just gloss over it then? Well, no, I don't think so. Not just because it's in the Angelus either. It's used extensively in written Italian: if you read any Italian, you're pretty much bound to find it. So it pays to recognise it when you see it.

But instead of hitting you with a complete verb conjugation, I've just added the third person at the bottom, since that's the form you're most likely to encounter (and the only form in the Angelus too). In -are and -ire you can see that they both end with an accented vowel, which should help you to spot it. This is only slightly confused by the fact that the future can end with an accented vowel too: but in that case there would be an r first (e.g. porterò, porterai, porterà).

I already said that infondere wasn't perfectly regular, so it has its own peculiar form as you can see. The really important one to remember in any case is -are, -ò since this conjugation accounts for the majority of Italian verbs. The regular endings (for some reason there are two) for -ere verbs would be -ette and -é, though many -ere verbs are irregular anyway.

Angelus: Prepositions with Articles – Nel nome del Padre…

♪ ♪ ♪ Nel nome del Padre e del Figlio † e dello Spirito Santo. #twitterangelus #it
— Mark Dobson (@MarkTSoaPM) Gennaio 7, 2013

nel, del, dello

To see what's going on in this first line, we also need to look at how prepositions combine with articles. What I wrote on this last time is here.

The Angelus is longer than the Padre Nostro. It also contains more prepositions. Have a look:

a - to
da - from
in - in
di - of
su - on
per - for, by means of
con - with
fra - between, among, from

Those are only the basic meanings; the functions of prepositions tend to vary wildly according to circumstance, so it would be a fool's errand to attempt to cover all the possibilities here. One to watch out for in the Angelus, however, is per, which can mean "by means of", as in:

per opera dello Spirito
by [the] work of-the Spirit

per la sua passione e la sua croce
through (the) his passion and (the) his cross

Whereas su doesn't actually appear in the Angleus; I added it so that the table I'm about to give you is complete. Last time, for the Padre Nostro, there were less prepositions, and we didn't have all the articles, so the table of prepositions combining with articles didn't need to be so big. This time you can see the whole thing:

	masculine					feminine
	singular			plural		singular		plural
	+ il	+ l'	+ lo	+ i	+ gli	+ la	+ l'	+ le
a	al	all'	allo	ai	agli	alla	all'	alle
da	dal	dall'	dallo	dai	dagli	dalla	dall'	dalle
in	nel	nell'	nello	nei	negli	nella	nell'	nelle
di	del	dell'	dello	dei	degli	della	dell'	delle
su	sul	sull'	sullo	sui	sugli	sulla	sull'	sulle

e

e means "and", of course, same as it did last time. And that's the first line covered already.

Related articles

• You Are What You Say

Angelus: Masculine Nouns – Nel nome del Padre…

♪ ♪ ♪ Nel nome del Padre e del Figlio † e dello Spirito Santo. #twitterangelus #it
— Mark Dobson (@MarkTSoaPM) Gennaio 3, 2013

 Some time ago I took a look at the Lord's Prayer in Italian, from first principles. So when someone on Twitter was asking for “suggestions on how to learn a smattering of Italian” I thought I’d point them there.

Then I thought I might as well revisit it with the Angelus, since I actually tweet it pretty regularly and it might be more useful. I don’t feel the need to repeat everything that I already blogged, but I thought I could do it as a kind of, well, revision. There are probably a few things I might go into in further detail, but not so many. So here we go again.

These are the masculine nouns in the Angelus:

singular	plural	English
il nome	i nomi	the name(s)	nominate
il padre	i padri	the father(s)
il figlio	i figli	the son(s)	filial
il signore	i signori	the lord, Mr., man
il frutto	i frutti	the fruit(s)
il seno	i seni	the breast, womb
il dio	gli dei	the god(s)	deity
il peccatore	i peccatori	the sinner(s)	im-peccable
il verbo	i verbi	the word(s)	verbal
il principio	i principi	the beginning, principle
il secolo	i secoli	the century (pl. ages, years)
il riposo	i riposi	the rest(s)	repose
l'angelo	gli angeli	the angel(s)
l'annuncio	gli annunci	the announcement, notice
lo spirito	gli spiriti	the spirit(s)

You can see what I wrote on nouns, both masculine and feminine, last time here. Take a look before carrying on. Here there are more things to take into account.

Firstly there are some nouns which end in -io, figlio and principio. Instead of ending with a double "i", they sort of fuse into one. This isn't always the case, but I think I’m right in saying that it normally is, so let’s leave it at that.

Then there are the masculine nouns that begin with a vowel, angelo and annuncio. In a similar way to "a" and "an" in English, the "il" becomes an "l" with apostrophe. In the plural, this becomes "gli" instead of the normal "i".

The article for spirito is different too. Masculine nouns that begin in a certain way, especially z-, st- or sp-, have a third form of the article, "lo". In these cases too, the plural is "gli".

I think that’s enough to start with; there were more things that needed elaborating than I thought.

Related articles

• The rise of Big Datums: of course 'data' can be singular

Bible Tweets: 1st Sunday of Advent

Farò rimarginare la loro piaga, li curerò e li risanerò; si stupiranno e fremeranno x tutto il bene e la pace che concederò loro. Jer 33:6,9

Verranno giorni nei quali farò germogliare x Davide 1 germoglio giusto, ke eserciterà il giudizio e la giustizia sulla terra. Jer 33:15

Il Signore indicherà la via da scegliere. I miei occhi sn sempre rivolti a lui, è lui ke fa uscire dalla rete il mio piede. Ps 25:12,15

Il Signore vi faccia sovrabbondare nell'amore × rendere saldi i vs ♥ e irreprensibili nella santità alla venuta del Signor ns Gesù. 1 Thessalonians 3:12–13

Dio, che vi dona il suo santo Spirito, non ci ha chiamati all'impurità, ma alla santificazione. Questa infatti è volontà di Dio. 1 Thessalonians 4:7–8,3

Con la vostra perseveranza salverete la vostra vita. Risollevatevi e alzate il capo, perché la vostra liberazione è vicina. Lc 21,19.28
— Mark Dobson (@MarkTSoaPM) Novembre 27, 2012

Lk 21:19,28

Saint John Chrysostom: Homilies on Saint Matthew's Gospel, no.46, 2

Our Lord next puts forward the parable of the yeast. “Just as yeast communicates its invisible force to the whole lump of dough, so will the force of the Gospel transform the whole world by means of the apostles' ministry... Don't ask me: 'What can we twelve, miserable sinners do in face of the whole world?' This is precisely the vast difference between cause and effect, between a handful of men before a crowd, which will demonstrate the stunning effect of your strength. Isn't it by mixing the yeast into the dough, by 'hiding' it as the Gospel says, that it transforms the whole lump? In the same way, apostles of mine, it is by being mixed into the great mass of peoples that you will impregnate them with your spirit and win victory over your adversaries. Even as it disappears into the mass, yeast does not lose its strength. To the contrary, it changes the whole dough's nature. In the same way, your preaching will change all peoples. Therefore, be full of confidence”...

It is Christ who grants such great strength to this yeast... So don't blame him for the small number of his disciples: it is the strength of the message that is great... A spark is enough to change a few sticks of dry wood into a blaze that will afterwards set even all the green wood at the edge on fire.

Related articles

• Homily at Mass concluding Ordinary Assembly XIII of the Synod of Bishops
• St. John Chrysostom, the "Doctor Eucharisticus" and "a second Paul"

Bible Tweets: 28th Sunday of Ordinary Time

Hi!

Thought I'd do this again. Won't have much time for blogging/tweeting for a bit since my parents are popping down for a bit. They're heading to fair Verona first. That's what Shakespeare called it, so it's probably true.

Gustate e vedete com'è buono il Signore;I leoni sono miseri e affamati,ma a chi cerca il Signore non manca alcun bene. Sal 34,9.11
— Mark Dobson (@MarkTSoaPM) Ottobre 8, 2012

Insieme alla sapienza mi sono venuti tutti i beni; mi conceda Dio di riflettere in modo degno dei doni ricevuti. Sap 7,11.15 (Wis 7:11,15)

In Cristo, il mistero di Dio, sono nascosti tutti i tesori della sapienza e della conoscenza. Col 2,2–3 (Col 2:2–3)

Prima ke il mondo fosse generato, da sempre e x sempre tu sei, o Dio; noi voliamo via. Sia su di noi la dolcezza del Signore. Sal 90,2.10.17 (Ps 90:2,10,17)

Viene la fine: ecco, viene! Getteranno l'argento per le strade e il loro oro si cambierà in immondizia. Ez 7,6.19 (Ezek 7:6,19)

Infatti la parola di Dio è viva, efficace e più tagliente di ogni spada a doppio taglio. Eb 4,12 (Heb 4:12)

Bene per me è la legge della tua bocca, più di mille pezzi d'oro e d'argento. Sal 119,72 (Ps 119:72)

---

.@hredux @bruvvereccles I guess so; I recall something about everyone getting golden crowns…
— Mark Dobson (@MarkTSoaPM) Ottobre 11, 2012

---

(Not Really) Related articles

• The Patron Saint of the Italian Language
• King James and His Bible
• Connecting Cisterns, Rain, and Reading the Bible
• Discovering God. With Ruini As Guide

Preghiera del Corista

S. Geminiano

Pensavo di trovare questa prehiera da qualche parte sul web, ma invece no, per cui: 

(di S. Ecc. Rev.ma Bartolomeo Santo Quadri)

Padre Santo, onnipotente e misericordioso, con Gesù e lo Spirito Santo, aiutaci a ben prepararci per fare del nostro canto una espressione sempre più bella e convinta, pura e gioisa del nostro amore per Te e per tutti i Tuoi figli e nostri fratelli che ci ascoltano. Te lo chiediamo per intercessione di Maria Santissima, Madre del Tuo figlio, di Santa Cecilia e di San Geminiano, meravigliosi cantoi del Tuo amore per l’umanità.

Adventures in Nature

© Ade McO-Campbell / www.buckleburyweb.co.uk/ade/ / CC-BY-SA-3.0

Hurrah! The Italian Co-Op is running another nature-based card-collecting thingamy, Avventure nella natura. Noemi liked the last one, with stickers, so we went so far as to buy the book to put them in this time. Trouble is that, unlike the last collection, which was a lot more international, this one is focused on Italy, so it’s harder to translate into English. Animals in other continents have names which are much easier to guess; you’d have to be a bit simple not to work out what a giraffa or an elefante is, but a picchio?

So, much to Monica’s despair, I set out to find the names for everything. It’s generally not difficult, what with wikipedia and all (you just have to keep an eye on the Latin taxonomy), but I found it quite interesting…

It’s satisfying when you can correct the dictionary; Hoepli calls a salamandra pezzata a spotted salamander, but it looks to me a lot more like a fire salamander, which is also a much more satisfying name! The libellula damigella still has me stumped though. You don’t find helpful hits for it in Google in Italian. Literally, you get “damsel/demoiselle dragonfly”. Does it just mean damselfly, generically? That’s different from a dragonfly. Anyway, there are specific ones called the beautiful demoiselle and the banded demoiselle. I can’t work it out.

I like the ones that you wouldn’t ever guess, and there are plenty of those: a colubro di riccioli is called Riccioli’s snake apparently, but also a southern smooth snake, which makes you wonder where all the rough snakes are hidden. North America and Australia, it would appear. Farnia is English oak (though oak is usually quercia) despite the fact that you can find it in most of Europe and it’s called French oak as well! Perhaps something to do with the Royal Oak. A ragno zebra should be a zebra spider, but you can see it isn’t. We reckon it looks more like a wasp. Speaking of spiders, I was surprised to learn that a water shrew in Italian is a toporagno d‘acqua, since toporagno is “spidermouse” (spidermouse, does whatever a spider… might espouse…). So why’s that then? They’ve only, “like many shrews”, got “venomous saliva, making it one of the few venomous mammals”! I never knew. Having followed the intriguing link, I shall never turn my back on a male platypus again! What goes by the name of saettone (“great big lightning bolt”) in Italian is a dignified “Aesculapian snake” in English. At some point I must work out how to pronounce that. Conversely, the humble newt (pace Gussie Fink-Nottle) is named for Triton in Italian (as are mermen) – tritone. An ofride verde–bruna (“green–brown ophrys”) is an early spider orchid round our way, because it looks like a spider. One who is early, presumably. A foca monaca mediterranea is obviously a Mediterranean monk seal, but shouldn’t it be a nun (monaca) seal? I think we should be told.

The Co-Op says there’s such a thing as a lupo appenninico, but apparently not everyone is so sure. I learnt another name for stick insects too: phasmid (and fasmidi in Italian). It’s from the Greek “φάσμα phasma, meaning an apparition or phantom”, which is a slightly more romantic notion than sticks. Putting the English name to a puma (yes, yes, I know) is harder than you might think; it has more than 40, which makes it a Guinness record-holder. I’d forgotten that there was a bird called a shag (tee hee!), but I didn’t realise that it was a kind of (crested?) cormorant (marangone [dal ciuffo]). I like cormorants. I like the fact that they stick their wings out heraldically to dry because their feathers aren’t waterproof so they can dive further into the sea. Wikipedia tells me that it was used as a symbol of the cross and reminds me (obviously I already knew – cough) that Milton’s Satan adopted the cormorant as a disguise. I also learnt of the rana pollo delle montagne: it’s a massive frog that the locals hunt for and call… a mountain chicken!

Satisfyingly, there is one – count them, one – animal with no translation. An Italian dog called a cirneco dell’etna. Voglio dire, mica si può tradurre tutto! There’s another dog in there called a pastore maremmano–abruzzese, but that’s a Maremma sheepdog; not sure what the abruzzesi make of that…

Monica reckons I enjoy this much more than Noemi. She might be right.

Related articles

• Snake Dance (dob-log.blogspot.com)

Coro

A mio avviso, c’è un aspetto della musica sacra che è stato stranamente trascurato nella Chiesa in Inghilterra e Italia, nonostante delle ottime intenzioni: la piena e attiva partecipazione di tutto il popolo. Da convertito dal protestantesimo ho sempre trovato stranissimo la mancanza di voglia di cantare alla messa. Infatti, pur riconoscendone la verità dal mio passato altrove, non ho mai sperimentato il seguente in una chiesa cattolica:

“Non c’è niente di più solenne e festoso nelle sacre celebrazioni di una assemblea che, tutta, esprime con il canto la sua pietà e la sua fede.” (Musicam Sacram 16)
“A tale piena e attiva partecipazione di tutto il popolo va dedicata una specialissima cura.” (Sacrosanctum Concilium 14)

Per qualche motivo l'inglese è più forte; è “to be considered before all else” (MS (en) 16). In altri documenti ci sono riferimenti più specifici ai cori:

“Il «coro» o «cappella musicale» o «schola cantorum» […] deve infatti […] favorire la partecipazione attiva dei fedeli nel canto.” (Musicam Sacram 19)
“Tra i fedeli esercita un proprio ufficio liturgico la schola cantorum o coro, il cui compito è quello di […] promuovere la partecipazione attiva dei fedeli nel canto.” (Ordinamento Generale del Messale Romano 103)

A me pare che il metodo più diffuso per tentare di raggiungere questo obiettivo è quello di abbandonare la musica bella ma difficile per quella più accessibile. Non è ottimale, anche se è comprensibile. Comunque, siamo capaci di più:

“Con una adatta catechesi e con esercitazioni pratiche si conduca gradatamente il popolo ad una sempre più ampia, anzi fino alla piena partecipazione a tutto ciò che gli spetta.” (MS 16b)

Per me, un coro parrocchiale e tenuto a pensare all’assemblea, a condividere le proprie capacità con la gente, anche cercare di insegnare. Infatti, se non c’è un impegno dalla parte dei musicisti in questo senso, è difficile capire chi potrebbe farlo. È però importante riconoscere che si tratta di un equilibrio. Non si può semplicemente sacrificare la bellezza per la partecipazione o la partecipazione per la bellezza:

“La bellezza, pertanto, non è un fattore decorativo dell'azione liturgica; ne è piuttosto elemento costitutivo, in quanto è attributo di Dio stesso e della sua rivelazione.” (Sacramentum Caritatis 35)
“Ma non è da approvarsi l’uso di affidare per intero alla sola «schola cantorum» tutte le parti cantate del «Proprio» e dell’« Ordinario», escludendo completamente il popolo dalla partecipazione nel canto.” (MS 16c)

Per quello credo che sia importante trovare arrangiamenti di inni che sono noti, in modo che l’assemblea può entrare nel canto, oltre misure banali quale indicargli i canti. Ma credo anche che una bella iniziativa potrebbe essere definire e promuovere qualche prova aperta, per chi vorrebbe cantare meglio ma non ha voglia/tempo di far parte di un coro. Suggerirei arrangiamenti di inni o l’Ordinario della messa.

Teoricamente dovremmo anche trovare spazio per il latino e il canto gregoriano:

“Si abbia cura però che i fedeli sappiano recitare e cantare insieme, anche in lingua latina, le parti dell'ordinario della messa che spettano ad essi.” (SC 54)
“A parità condizioni, si dia la preferenza al canto gregoriano, in quanto proprio della Liturgia romana. Gli altri generi di musica sacra, specialmente la polifonia, non sono affatto da escludere, purché rispondano allo spirito dell’azione liturgica e favoriscano la partecipazione di tutti i fedeli”. (OGMR 41)

Io credo che esiste un modo semplice e bello di rispettare questo: la Missa De Angelis. Immagino che non piace a tutti ma per me è bello, e non è neanche difficile quanto può sembrare. Il mio coro in Inghilterra lo cantava ogni mese e un corista aveva un figlio di 2 anni che la canticchiava sempre… Un fatto positivo è che si potrebbe stampare su un foglio solo! Io faccio fatica a cantare senza una partitura, non immagino che sia facile per chi vorrebbe cantare a messa e non fa parte del coro.

Sono anche a favore di cantare i salmi, entro le nostre possibilità. Si fa presto a dire… Magari dovrei contattare il mio vecchio coro; il maestro aveva trovato delle belle melodie a 4 voci (canto anglicano) per le strofe. D’altra parte, ha lavorato tanto per allinearle con i testi, e non so come ha fatto con la risposta.

“Conviene che il salmo responsoriale si esegua con il canto, almeno per quanto riguarda la risposta del popolo.” (OGMR 61)